While setting a milestone in the progress of digital filmmaking, Sky Captain and the World of Tomorrow resurrects a nostalgic fantasy world derived from a wide variety of vintage inspirations. It's a dazzling dream for anyone who appreciates the look and feel of golden-age sci-fi pulp magazines, drawing its unique, all-digital design from such diverse sources as Howard Hawks adventures, Fritz Lang's Metropolis, Buck Rogers, Blackhawk comics, The Third Man, cliffhanger serials, and the action-packed Indiana Jones franchise. Writer-director Kerry Conran's feature debut is also guaranteed to inspire digital dreamers everywhere, suggesting a paradigm shift in the way CGI-dominated movies are made. It's a giddy adventure for the young and young-at-heart, in which ace pilot Sky Captain Joe Sullivan (Jude Law) and intrepid reporter Polly Perkins (Gwyneth Paltrow) must save the world from a mad scientist whose vision of the future has tragic implications for all humankind. Angelina Jolie drops in for a glorified cameo, but it's the ultra-fortunate neophyte Conran who's the star here. His clever riff on The Wizard of Oz is a marvel to behold, and the method of its creation is nothing less than revolutionary.
Hal est un cadre célibataire un peu beauf. A la recherche de sa douce moitié, il enchaîne les vestes en s'entêtant à brancher des créatures de rêve qui semblent avoir d'autres priorités que de s'intéresser à son physique banal. Suite à une séance d'hypnose prodiguée par un guru médiatique, le brave Hal voit son obsession pour la perfection de la plastique féminine transformée en culte de la beauté intérieure. Aussi lorsqu'il croise la massive fille de son patron, celle-ci lui apparaît sous les traits d'une ravissante jeune fille, dont il tombe éperdument amoureux.